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Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time.
Powell’s sophomore novel, Venusberg, follows journalist Lushington as he leaves behind his unrequited love in England and travels by boat to an unnamed Baltic state. Awash in a marvelously odd assortment of counts and ladies navigating a multicultural, elegant, and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy. But beyond its humor, this early installment in Powell’s literary canon will offer readers a welcome window onto the mind of a great artist learning his craft.
- Sales Rank: #1548734 in eBooks
- Published on: 2015-10-30
- Released on: 2015-10-30
- Format: Kindle eBook
Review
“Elegantly casual and scandalously funny. . . . Venusberg, I once read somewhere, is a satire on totalitarian government. That’s as good a handle for it as any. Yet it concentrates much more on men and women than upon the laws that govern them. . . . In some of the best light dialogue of our time, Powell makes clear the difference between feverish sophistication and true worldliness.” (Charles Poore New York Times)
“A brilliant picture of diplomatic and less exalted society in a little Baltic State. Mr. Powell’s dialogue and comments are crisp, shrewd, and satirical, and his second novel is a worthy successor to Afternoon Men.” (Spectator (UK))
“Powell’s novels bite deep, but only to reveal that even at our most foolish we are all in it together.” (Leo Lerman New York Times)
“Looking back at Powell’s earlier novels, it is possible to see him discovering there how to use his razor-sharp satirical sense until it is purged of bitterness and extravagance.” (Elizabeth Janeway New York Times)
“In this era of YouTube, cell phones, and Snapchat, the possibility of real strangeness or feelings of isolation in foreign travel are almost impossible to recover, in addition to the sometimes unpleasant colonial overtones some such novels evoke. In Venusberg, however, the charm and humor of such a setting comes through, even as Powell searches after deeper themes. . . . Venusberg is valuable because we see Powell working out perspectives that would later form the basis of Dance.” (Gerald J. Russello The Millions)
About the Author
ANTHONY POWELL was born in 1905. After working in publishing and as a scriptwriter, he began to write for the Daily Telegraph in the mid-1930s. He served in the army during World War II and subsequently became the fiction reviewer on the TLS. Next came five years as literary editor of Punch. He was appointed a Companion of Honour in 1988. In addition to the twelve-novel sequence, A Dance to the Music of Time, Anthony Powell was the author of seven other novels, and four volumes of memoirs, To Keep the Ball Rolling. He died in March 2000.
Most helpful customer reviews
3 of 4 people found the following review helpful.
Ehhhhh
By Patrick Odaniel
I love A Dance to the Music of Time and sought out this early work of Powell's in the hope of recapturing the sparkling repartee and zest for living that makes Dance so delectable. Better luck next time. This slight (150 page) farce concerns a young British wastrel, Lushington (get it?), who, for lack of anything better, goes off on a slow steamer to a Northern Baltic country that has been recently liberated after the Great War (think, oh, I don't know, Latvia or something). There on the boat he meets most of the novel's principal characters: a down-at-the-heels count, a fake fat count who sells soap and a vamp countess. These tired drawing-room caricatures, which must have been cliched at the time, spend the rest of the novel wasting away and finally relieving the reader by dying from consumption, confrontation, revolution or irresolution (except for the fat count who steams back to England in the interest of soaping up the British Isles). There's a tiresome party or two with the kind of conversation that makes one wonder how did Powell become the writer who created those wonderful, festive scenes in Dance. I'm thinking he had some kind of literary equivalent of Paul's journey on the road to Damascus (or at least became a born-again writer). In any event, this book is strictly for hardcore Powellians (or, perhaps, pole-cats) interested in the great writer's roots and willing to forgive a youthful transgression into the wilds of stuffy, Northern European aristocracy.
0 of 0 people found the following review helpful.
A very great read!
By JTR
I read this book right after Waugh's Brideshead Revisited, and this book, about half the length of the other, is far superior. I believe this was only Powell's second novel. A funny, confused protagonist named Lushington finds himself in a small former Soviet colony of beautiful society ladies, with ultimately tragic (but, yes, funny) and unsatisfying outcomes. He even blows his heroic welcome home party. It's Powell at his best, writing about parties, parties and more parties of the rich and famous, intertwined with real drama, a nice, tight mixture in a little book.
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